Showing posts with label unhealthy sexual relationships. Show all posts
Showing posts with label unhealthy sexual relationships. Show all posts

Monday, June 11, 2012

Chapter-by-Chapter Synopsis: Fifty Shades of Grey: chapters 11-13

Chapter Eleven


Ana is reading through the contract, and it’s sort of repetitious because some of it was discussed in previous chapters, particularly with regards to how Ana will look, dress, eat, and exercise. I found it to be boring, but this is the sort of thing that fanfiction readers eat up with a spoon and extra sprinkles. But in a book, it’s boring. Really boring.

Ana gets really freaked out about the contract, particularly when stuff like “anal” and “fisting” are mentioned. Note from the future: you will never have to worry about these things, Ana. The kinkiest thing you will do in these books is the reverse-cowgirl, and I don’t think that’s even particularly kinky. (Is it? I mean…I don’t know what other people do, but I’ve never heard a guy say, “Wait, wait, let’s stop this rodeo. I’m a missionary man!”) Her biggest problem with the contract is the actual submissive part: not being able to touch Christian, not being able to look him in the eye or speak without being spoken to. From what I know of BDSM, and we’ve established that it’s not much, these things are pretty normal. I was actually surprised that there was nothing in the contract about Ana needing to wash Christian, wake him, help him dress and shave and whatnot. I just can’t say enough that he does not want a BDSM relationship, but he wants kink and he wants to do it in a D/s way. I just think the distinction is enough that it warrants addressing.

So, Christian wants Ana to research how to be a sub, and he gets appalled at the thought of her using Kate’s computer, so he has a MacBook Pro sent to her, complete with a tech to set it up and show her how to use it. This part really was odd. How did she get through college without a computer of her own? My computer is over four years old and the battery is completely shot, plus it gets hot enough to boil water on after it’s been running for about ten minutes, but it was cheap and it works. If Ana’s dad bought her a car, he can buy her a computer. For what she needs, she can get one for only a couple hundred. Sheesh.

Ana already has an e-mail from Christian, and they end up sending each other really cutesy exchanges and I want to throw up because I really don’t want to see or read any of that. None of the smileys or the cutesy titles Christian gives himself or any of it.

Ana goes out with José, and it actually doesn’t end badly. They manage to clear the air a bit and I kept expecting Christian to walk in on them and start being an ass, but it doesn’t happen, so props, Author.

Back at home, Ana e-mails more with Christian, and it’s sad because she obviously wants a normal relationship with a normal guy, and he’s who she’s set her heart on. Love is not only blind, but in the middle of nowhere and left for dead. Christian keeps telling Ana to research, which she does, and then she gets all freaked out about the BDSM lifestyle and again, Christian is into kink, not BDSM but it doesn’t matter because Ana wouldn’t know the difference between the two with a type-written list.



Chapter Twelve

Ana goes for a jog to clear her head and then goes home and writes to Christian: “I’ve seen enough, nice knowing you.” SOMEHOW, this is supposed to be a joke. How it’s funny is your guess as well as mine. Is this a Twihard thing like the lip biting? How is this a joke? Where does she put something suitably ironic in order to indicate it’s a joke?

Unsurprisingly, or completely surprisingly since this is bat-shit territory, Christian shows up at Ana’s house instead of just accepting defeat and realizing that it’s over Ana’s head. This makes no sense. He also starts in on Ana for biting her lip and I roll my eyes because it’s her body and she’s allowed to chew on any part of it she wishes, regardless of your feelings on the matter. This? This is what makes him abusive. Also, did he get the joke? Did he know it was a joke? Is it a pop-culture reference that I don’t know about? Or is he just trying to seduce her into getting what he wants? This is the definition of “dub-con” or “dubious consent”, by the way. It’s especially potent since he didn’t think it was a joke (because it’s not?) and really did head over to Ana’s house to seduce her into a different mind frame. This is twisted. Really wrong. This guy needs major psychiatric help, and he needs to stay away from other people because he’s a psychopath and he doesn’t understand empathy or the concept of personal space.

After Christian leaves, Ana starts feeling used, like a receptacle for his sexual energy. This is good because it’s pretty much the truth. Of course, instead of telling him she feels this way, she cries on Kate’s shoulder, and Kate says that he has ‘commitment issues’ which is like saying that the sea is salty.

Ana e-mails Christian in detail about her issues regarding the contract and some of the language, but never addresses the larger issue about how this does not feel like a relationship to her, at least not an equitable one where both partners discuss their innermost feelings and are validated and reassured by each other. Christian promises to talk more on their date, which seems like bullocks since his idea of communication is to have sex.



Chapter Thirteen



Ana finds out that her mom can’t go to her graduation because Ana’s stepfather has fallen down and he can’t get up. I get that Mom has to take care of StepDad and all, but this is her daughter’s graduation. Get a nurse or a friend or something and stay for only long enough to see the graduation. I understand that it’s hard to go from Georgia to Seattle as my family lives in North Carolina and I’m in California, but you can bet my mom dragged her ass across country to see my brother graduate from college, and he was thirty-five when he graduated. This is family. Ana of course says it doesn’t bother her. Why? Because saying it bothers her would be a character flaw? I don’t understand why Ana can’t be let down about her mom. Supposedly they love each other. This is one more odd part of this story. I feel that Ana is detached from her parents, which I guess is typical YA territory, but this is not a YA novel. She’s twenty-two years old, and she is celebrating a major life event. She can be disappointed that her mom won’t be there. But all she can think about is Christian.

After that, Ana calls Ray, the one parent who will be in attendance for her graduation, only Ray’s like, “Yo, there’s a baseball game about to start so I can’t talk long.” The fact that he’ll be there, though, speaks volumes about his relationship with Ana.

Christian e-mails Ana about when he’ll pick her up, and she’s like, “I’ll drive” and he gets upset and pouty because he even has to control her mode of transportation. He e-mails the definition of “Submissive” to Ana who counters with the definition of “Compromise.” The bottom line is that Ana is a little uncomfortable around Christian right now because of this stupid contract, and she wants her car around so she can get away without him next to her, trying to seduce her or coerce her into doing something she’s uncomfortable with.

So, Kate gives Ana a couple of dresses, and she puts on one for the date as well as matching stilettos, and for someone who can’t walk across the street without getting run over by a bike, let me say that this is a really stupid idea. I get that her “flaw” is supposed to be clumsiness, but the alacrity with which the author has abandoned this one flaw gives me whiplash. Ana is, of course, fine in her heels.

Ana tells Christian that the contract isn’t binding, but he counters that it’s good to have everything up front and on the table before they begin, and that he won’t prosecute her if she breaches. No, he’ll just stalk her to death.

I have this in my notes: “It’s not like these two aren’t going to end up together.”

This is the thing: if this were a book series about a virgin exploring the world of sex, and if the books were all about her trying different things with different partners, then I’d wonder who she’s going to end up with. But there’s no suspense here. It’s like the current generation watching Star Wars. If they start with the prequels, then they will be completely unsurprised when Darth Vader ends up as Luke’s father. That is this book in a nutshell. You already know they’re going to get married and make babies ever after. They have to. That is this book. All of this suspense is unnecessary and a little boring.

Anyway, moving on. So, Christian wants Ana to be honest with him, which is so stupid considering the fact that any time she has expressed any modicum of having her own opinions or feelings, he brushes her off and dismisses her boundaries and personal space. Case in point, he gets all over Ana about whether or not she’s eaten, again. Since it seems that Ana doesn’t eat when she’s nervous or upset, it’s no surprise that she hasn’t eaten, but he still gets all over her about it. Also, he asks if she wants to stay in the common room or go to a private room. She says she wants to be in public, but he’s already booked a private room, so no go Ana. The question is completely moot. Why did he ask her opinion when he had already made up their mind what they were going to do? I really hate it when people do that. It’s not fair and it isn’t kind. Also, he’s already ordered for her, including oysters. As a person with severe food allergies, I balk at his incessant obsession over food and his forcing it on Ana.

Okay, Christian starts going over the contract piece by piece, outlining Ana’s issues with what it says. He assures her that he is not HIV positive, nor does he do drugs. He actually goes into his company’s anti-drug policies and mentions random drug testing and Ana’s like, “He’s such a control freak!” Well, get used to it sweetheart, but in this case, he is perfectly within his rights, and few companies don’t issue random drug tests or have strict anti-drug policies. It’s like she nitpicks all the unimportant stuff, but lets his constant, persistent and pathological need to dominate her entirely slide by the wayside. It makes no sense!

Christian says he wants to try their relationship for three months, and Ana starts feeling railroaded. Finally. How long did this take you, Ana?

I have this in my notes: “I can’t believe how boring this is. Ana finally admits she trusts him. Thank God. Can we find the plot now? “

Sorry, self. This is me from the future. There will be no plot. Not ever. Not even with painfully transparent attempts to create drama will there be a plot. This fanfiction is labeled “PWP?”

So then we get to this: Ana is asking why she can’t touch Christian, and she thinks Mrs. Robinson had something to do with it. He says,
“No, Anastasia. She’s not the reason. Besides, Mrs. Robinson wouldn’t take any of that shit from me.” Oh…but I have to. I pout.

Yes. Exactly. He wants you to do things that he would never do himself. He expects of you that which he would never give to you. This is the relationship you want. This is the relationship millions of women want. No wonder men hate us. I’m starting to hate us. This is the type of guy who ‘nice guys’ rail against when they’re trying to ask a girl out.

[You know Nice Guy Syndrome, right? The guys who think all women want Bad Boys who will break their heart? The reason I would find Christian more attractive than a Nice Guy is simply because he knows what he wants and isn’t afraid to say so. The fact that he isn’t interested in what Ana wants and doesn’t care what she has to say is what turns me off to him. But between the two, yes I’d go with Christian Grey. This isn’t saying much.]

Ana brings up his no masturbation clause and he’s like, “I want all of your pleasure.” Sorry, Christian. Until you figure out the Vulcan Mind Meld, all of her pleasure is her own. You can be there to witness it, but she’s the one who feels it. Ana accuses him of using sex as a weapon when he threatens to “fuck” her in the dining room just because he can, and he has the good sense to not deny it. He also brings up how if she were his sub, she wouldn’t have to think about anything anymore, just go along with him. That’s a really great prospect, Christian. Every girl dreams of a guy telling her he’d like to not be able to distinguish between her and a lobotomy victim.

Ana says she feels like she’s playing a game where “[Christian is] the only one who knows and understands the rules.” This is pretty much the definition of an abusive person. Their rules are arbitrary, and what is true today may be false tomorrow, and they change all the time. This is so that Christian can “punish” Ana for not doing what he tells her to do. That is the bottom line.

Thankfully, Ana decides to leave before Christian can seduce and use her again, and she starts wondering if this is the last time she’ll see him, blah blah blah. Look, again, if there were any suspense, I would be on the edge of my chair (not really), but there is no suspense. They are going to get together. I don’t understand this sort of foreplay. Surely the author could have found some other avenue? At this point, it feels like a child’s game of pretend. “Let’s pretend that Christian and Ana won’t get together at some point in the future, okay?”

And now we get to Ana’s Beatle. Christian is all upset that she drives it and keeps asking if it’s road worthy, etc. It’s a steel car with lots of curves on it. It might not have a five-point harness or even a three-point seatbelt, but it’s not a bad car, especially not for a college student. Ana gets adamant that Christian won’t buy her a car, but you know he will.

Ana drives home crying, and lamenting that she won’t be allowed to sleep with or touch her boyfriend if she agrees to the contract. Yes, these are actually huge concerns. The magnitude of these concerns is almost suffocating. Especially the part about looking at him and talking without being spoken to. I mean, if she’s not into D/s or kink, then this isn’t the relationship for her.

She worries he’ll tire of her. Again, no suspense. He sends her an e-mail saying he doesn’t understand why she ran from him, but he wants to make it work, take it slow. One of the first signs of an abuser is that he tries to force you into a committed relationship very quickly. She falls asleep thinking that since this is all he knows, and her view is all she knows, maybe they can forge their own path. Note from the future: yes.

Rant: I think that BDSM is a viable “alternate lifestyle” and that kink and whatnot are perfectly normal between consenting adults, so the undercurrent in this book that says that Christian has something wrong with him because of BDSM bothers me. He has something wrong with him because he had a horrible childhood and upbringing. That’s where his issues stem from. He hides behind BDSM and D/s and kink in order to keep people at arm’s length, but the actual lifestyle is not what has made him this way. He is this way and turned to the lifestyle in order to handle his demons. I feel that this book paints those in “alternate lifestyles” (quotations because I think the term is improper, but I don’t know of a better one) in a light that there must be something wrong with them that they enjoy doing this and classes everyone with Christian Grey. To me, it’s on par with saying that homosexuals are only “that way” because they were abused as a child or just haven’t met the right woman/man to make them not be homosexual any more. In Christian’s case, he just hasn’t met the right girl yet. That’s what this author is saying. It’s easy to get over decades of hurt if you just meet the right person. And it is. If that person happens to be a therapist. But to say that all problems are got over really easily is cheapening the hurt of people like Christian and relegating BDSM to a band aid or crutch-like lifestyle that helps gloss over true problems until that one romantic partner comes along to take you away from “it all.”

I’m sure that this isn’t the author’s intention, but that’s what I’m getting from this book.

Okay, more to come.

Friday, June 1, 2012

Fifty Signs of Abuse

Okay, not fifty, but here are some signs of abuse:

Is jealous or possessive toward you.

Christian has decided Ana is his because he "took" her virginity. He doesn't like anyone else being in her life.


Tries to control you by being very bossy or demanding.

There isn't a time when Christian isn't trying to be demanding or bossy towards Ana. He tells her when to eat and how to dress, even getting upset if she's wearing too little. He gets upset when her hair is damp after a shower because she could get pneumonia or something.

Tries to isolate you by demanding you cut off social contacts and friendships.

 Jose. That's all I'm saying.

Okay, I'll say a little more. The first week they know each other, Ana goes to meet Christian's parents. She still hasn't signed the contract. Mom asks Ana if she's doing any traveling over the summer, and Ana says she's been thinking about going to visit her mother in Georgia. Christian gets pissed. Like, PISSED. He even tells her it's something he's angry about. This is Ana's mother. Even if it was her best friend from kindergarten, Christian has no reason to be upset with Ana for thinking (not making any plans yet, just thinking) about visiting her mother. He's isolating in other ways, but this was the one that got my blood boiling.

Is violent and / or loses his or her temper quickly.

The times Christian gets angry and petulant are always times that any normal person would be fine. Just like Ana wanting to see her mom. He gets upset over petty things, too, like the eating thing, but also he thinks Ana doesn't sleep enough, the night she drunk dialed him, etc. Any time Ana shows any sign of independence, he gets upset.

Pressures you sexually, demands sexual activities you are not comfortable with.

The book is basically him trying to talk her into being his submissive sex slave.

Abuses drugs or alcohol.

He drinks a lot for a guy who supposedly never gets drunk, but he's actually too controlling to get drunk. It's the opposite side of the coin.

Claims you are responsible for his or her emotional state. (This is a core diagnostic criteria for Codependency.)

Yes. Whenever Ana wants to be herself, he gets upset. He even tells her at one point that if she would just sign the contract to be his sub, then they wouldn't have to argue about anything any more, because she'd just do what he wants to do without question. Basically, her being an autonomous human being is upsetting to him.

Blames you when he or she mistreats you.

See above. He wouldn't be angry or have to spank her for being bad if she'd just do what he says without question.

Has a history of bad relationships.

So far he's had fifteen subs and a cougar who used him as a sub.

Your family and friends have warned you about the person or told you that they are concerned for your safety or emotional well being.

Kate is the only one he can't charm. Naturally, he's not very fond of her. Jose's not too fond of him, but that's because he likes Ana too.

You frequently worry about how he or she will react to things you say or do.

Ana is such a bundle of nerves around Christian that she can't eat half the time she's with him. She also worries about how he's going to take certain things, like the fact that Kate's brother is going to be one of her roommates, or that she wants to hang out with Jose or anything like that. She makes her life revolve around him.

Makes "jokes" that shame, humiliate, demean or embarrass you, weather privately or around family and friends.

No, he's not like that. He jokes about his "twitching palm", but she does too.

Your partner grew up witnessing an abusive parental relationship, and/or was abused as a child.

Yes! Christian was totes abused as a kid.

Your partner "rages" when they feel hurt, shame, fear or loss of control.

See above examples. Christian views any disagreement that Ana has as an argument, and gets angry with her when she's upset with him for the intrusions he makes in her life, particularly with buying her a car because he's decided that hers is unsafe, and buying the company she gets a job with because she turned down his offer of internship. There's also petty stuff, like if he thinks Ana is wearing too little, or eating too little or walking down the street without an escort.

Both parties in abusive relationships may develop or progress in drug or alcohol dependence in a (dysfunctional) attempt to cope with the pain.

They do drink a lot.

You leave and then return to your partner repeatedly, against the advice of your friends, family and loved ones.

So...Ana actually leaves Christian a couple of times, but every time he comes back for her and Kate is the only voice of reason. Mostly because this all happens so quickly (their relationship is seriously a week-long thing) that no one else really sees how much Christian hurts Ana.

You have trouble ending the relationship, even though you know inside it's the right thing to do.

 That's pretty much Ana at the end of the first book.  


Does the person you love...


• constantly keep track of your time?

 Christian is all over Ana about where she is and what she's doing.

• act jealous and possessive?

 When is he not?

• accuse you of being unfaithful or flirting?

 He doesn't necessarily think she's unfaithful or flirting, but he thinks that every man in the world is trying to "steal" her from him (remember, she "belongs" to him because he "took" her virginity) and that the men can't be trusted.

In the second book, Christian gets angry at Ana for hugging Jose, and then later for teasing Christian's bodyguard about something. Ana freaked out about the second one, worried she had gotten Taylor into trouble by teasing him.


• discourage your relationships with friends and family?

 The Georgia thing. He was really upset that she decided to go, and then he showed up in Georgia even though Ana had told him she wanted to be away from him and have time to think.  


• prevent or discourage you from working, interacting with friends or attending school?

 Christian would prefer that Ana didn't work at all, and gets upset any time she makes plans.  


• constantly criticize or belittle you?

 The one good thing about Christian is that he tells Ana she's pretty and smart a lot, and when she's given a promotion at work, he is totally unsurprised and says that he has no doubt her work has realized how valuable she is.  


• control all finances and force you to account for what you spend? (Reasonable cooperative budgeting excepted.)

 He's always pushing money on her and trying to get her to accept his elaborate gifts, and he's only upset when she won't take it. It's the opposite of a controlling spender.


• humiliate you in front of others? (Including "jokes" at your expense.)

 Again, he doesn't do this. It's the only thing on this list he doesn't do.


• destroy or take your personal property or sentimental items?

 Ana had this classic VW Beetle. Christian freaked out that she was driving it and basically forced her to sell it (she had been thinking about selling it, anyway) and then he bought her a new car. It's not so much that he takes them, he tries to replace everything that has meaning to her with something that will make her think of him instead of whatever the other stuff is.  


• have affairs?

 Christian doesn't have affairs, but he's still pretty chummy with "Mrs. Robinson," the woman who seduced him and made him her sub when he was a teenager. Ana has repeatedly told him that she's uncomfortable with his relationship with this woman, and even though he expects her to give up Jose (she won't), he can't see why she's upset about Mrs. Robinson. He also has women who work with him, but apparently he's not out to rape them despite the fact that he's sure men are out to rape Ana.

• threaten to hurt you, your children or pets? Threaten to use a weapon?

 He threatens to spank her pretty much from the beginning, when he went to kidnap her at the bar. 


• push, hit, slap, punch, kick, or bite you or your children?

 They don't have kids. Yet.


• force you to have sex against your will, or demand sexual acts you are uncomfortable with?

 

 The whole book is about him wanting to do sexual acts with her that she is uncomfortable with. 

Friday, April 20, 2012

Book Review: The Girl of Fire and Thorns by Rae Carson

Okay, so I'm going to start a little different. I have no idea if this author is religious or not, but I'm guessing she is, and I'm guessing she's some sort of orthodox--either Eastern or Roman--and religion is totally a focal point in this book. If you thought CS Lewis's allegory was a little obvious, you will think Carson downright heavy-handed. However, I have said before and I will say again that books with actual religious views and backgrounds are totally awesome to me, and I love how authors can incorporate and think of ways for their characters to be superstitious.


Okay, onto the book.


The main character is Lucero-Elisa, who was chosen shortly after her birth to be some sort of great person, as God marks her with a Godstone; a jewel in her bellybutton that countless others througout the ages, every hundred years, have also carried. The problem is that no one actually tries to help Elisa become great. They just leave her to her own devices, and her only companions are older maids who are sweet and everything, but a young girl needs more than that. Elisa turns to food for companionship, and as a result is very heavy and getting heavier every year. Elisa also has a favorite book, The Belleza Guerra, which seems to be an Art of War-meets-Machiavelli sort of book. She quotes it constantly, and every time she does, I'm reminded of Lilo and her assertions about Elvis being a model Hawaiian citizen. I mean, that's how sweet and innocent this character is.


Naturally, she can't stay that way. Princesses have to marry princes or kings, and Elisa is no different. Her father and older sister arrange a marriage on her sixteenth birthday to a king of a neighboring land, and Elisa suddenly finds herself in a different country with all new foods.


Now, Elisa is much different than me. I'm heavy, but Elisa seems to be morbidly obese. She's totally got Such A Pretty Face syndrome, and while I'm on the subject, thank you Rae Carson for a character who is dark haired, dark eyed and dark skinned! And even thank you for making her fat. I just...I'm not like that. I'm heavy, but I don't eat in front of people, and Elisa seems to have no problem with that. She eats, and then she goes back for more, and then she visits the kitchen in the middle of the day and night and afternoon and elevenses. I squirrel away food, particularly sweets, and eat it when no one can see. I know that everyone is different, but most of the fat people I know don't like opening themselves to ridicule by eating out loud like that. Elisa is really pathetic where food is concerned, and while I loved her descriptions of honeyed melons and sugared date balls and scones of all sorts, I started thinking that food is less of a comfort to her and more of an addiction. And that's okay, I just wish there had been more of her eating normally in public and then sneaking off to somewhere else to really dig in and get her "fix".


Now, Elisa's Godstone is sort of in the background in the beginning, but such a thing can't stay hidden. In her new country, King Alejandro decides to keep his marriage to Elisa hidden, and tells her not to reveal her Godstone to anyone. Elisa sort of flounders at this and actually gets proactive and writes her sister a note, and her sister answers and says basically, that if Elisa wants to be queen, she has to make herself queen.


So Elisa hides in her bedroom and eats herself silly.


And I walk into the book and smack her upside the head and shout, "Wake up you idiot!"


The good news is that Elisa begins to proactively attempt to learn more about her Godstone and learns that her sect believes that a Bearer can know nothing about it beforehand, otherwise their service will be tainted, while the sect she is currently in believes in training people. However, Ximena, Elisa's nurse, turns out to be a guardian in Elisa's sect, so Elisa can only do so much while she's around. The father of the temple gives Elisa three Godstones that fell out of their Bearers after they died, and Elisa is left to ponder them...but not for too long because of course she's kidnapped.

Now, I've read books where the heroine starts out heavy and then loses weight for whatever reason, but I've also only read one (1) book where the heroine started out heavy and remained heavy (Hi, Jenny Crusie!). I don't know why an author can't just be okay with the fact that her character is heavy. Now, in this case, Elisa is morbidly obese. She can't walk up a flight of steps without getting tired, and she can't go for an hour without eating. She has a pavlovian response to food and absolutely zero coping mechanisms, so I'm okay with her transformation. Particularly since the transformation, while physical, is mostly mental. Elise enters the desert a squishy creature with no discernable skeletal structure and emerges with a backbone firmly in place. It takes months and it's heartbreaking for her. But finally, finally, she sheds her skin and is transformed. Her obsession with food is still firmly in place, but it starts taking a backseat to her obsession with learning about people. Not from a book or from a place of superiority over them, but as an equal to them. She starts learning how to make friends by being a friend and how to get respect by giving it. She also learns what it means to be a part of a community, and that being a ruler means knowing your people. Lastly, she learns what love really is, and that she can't live without it.

In fairy tales, transformation happens usually in a forest, but for Elisa, she must enter the desert. She even starts learning more about the Godstone (oh yeah, that) and how to use it to save her people.

In all, I was very happy with this story, though it is more "young" than "adult". There are going to be two more books, but I'm not sure if I'll read them. Not that this book wasn't enjoyable, but I'm not sure I can handle Elisa again. I'm glad she transformed, but she started out the book a virgin bride, and she ended a virgin bride. Sure, I get that her husband wasn't all that, and that she fell in love with someone else, she's been through a huge transformation both physical and mental, and I don't think she should have just hopped into bed with Alejandro at the first chance she got, but...it would have given her that last edge. That last facet. She ends being just a virgin who can't drive. And just because I railed against this in Branded by Taylor Keary, I want to say that I don't think people should just go and have sex. I'm in the third Green Rider book, ad Karigan still hasn't lost her virginity, but since there is no emphasis for her on sexual relations, and because she's disinterested in being with anyone other than the guy she is not currently romantically involved in, it doesn't bother me. In both Branded and this book, there is an undercurrent of the heroine just allowing stuff to happen to her rather than her happening to stuff, and sexuality is one of those things that both heroines turn off. Karigan by contrast is very capable of reaching out and taking what she wants, but she stops herself not because she is embarrassed by sex, or because she's not ready, but because she doesn't want to. Both Elisa and Jessica seem to want to have sex, but are embarrassed by it, or shamed by it, or ashamed of their bodies, or whatever is stopping them. In fact, Elisa gets a little mean with Alejandro, and yes, he's not really a likable character, I just wish she had taken more control of the situation in a firmer way. She's a strong heroine in many ways, but in some important ways, she flounders and...again, I'm not sure I care to read more.

Overall, I'll give it a B.


Edit: I almost forgot. In regards to Elisa and her Godstone, there are all sorts of people after her. One of the sects of the church feels that Elisa is not important, but her Godstone is. Alejandro clearly thinks she can use it to help him lead the war that is coming. The people who kidnap Elisa believe that the Godstone will help them win the war that they are already in the thick of, and the people who are bringing the war think that Elisa will help them prevail. Everyone says that it's the will of God. This, that, the other thing, is the will of God. Except Elisa. She is the only person who shows doubt, and she discusses her doubt both internally and with a Father that she has befriended. She doesn't know the will of God, and at times even doubts His existence. This is pretty awesome coming from someone with a supernatural stone stuck in her bellybutton. I loved her doubts because it made her a real character, and it also held up a mirror, so to speak, for my own beliefs to challenge me on them. (Again, there is religion in this book, so you're either okay with that or you're not.)